Gian Lorenzo Bernini, Anima dannata (Damned Soul), ca. 1619.

• Among the titles on Osama bin Laden’s bookshelf: Bloodlines of the Illuminati, Secrets of the Federal Reserve, an Adobe Acrobat manual, Noam Chomsky.
• Archivists at the University of Michigan have found fragments of Orson Welles’s unfinished autobiography; the working title was Confessions of a One-Man Band. This is a watershed moment not just historians of cinema, but for historians of amateur illusionism: “The unfinished memoir … was interspersed with other ‘weird stuff’ … including scripted patter for magic acts that Welles performed.”
• Further proof that your ambitions are too modest and you’ll never amount to anything: “In 1619, at the ripe age of twenty, Gian Lorenzo Bernini set himself the seemingly impossible challenge of carving the human soul in marble … Bernini was precocious, authoritative, and versatile: he had the touch no matter what he put his hand to. He could make limp swags of drapery swirl and throb as if some sort of lifeblood ran through them.”
• You know who else had the touch? Bob Seger, when he wrote “Night Moves,” which took him six months: “We drove over to the Palm restaurant, where Bruce Wendell [Seger’s label’s head of promotions] was having lunch with Paul Drew, who programmed all the RKO Top 40 radio stations in the country … He came out to the car and we played it for him. Two and a half minutes into it, he said, ‘That’s a smash.’ ”
• Tired of visualizing history with the same old boring timelines? Of course you are! Sebastian C. Adams’s Synchronological Chart of Universal Historywill shift your paradigm. It “outlines the evolution of mankind from Adam and Eve to 1871, the year of its first edition. The original timeline … stretched to twenty-three feet in length and was designed for schoolhouses as a one-stop shop for all of history.”