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William Weaver,classic sex movies 1923–2013

By Sadie Stein

In Memoriam

William-Weaver-Paris-Review

“Some of the first books I read or that my father read to me were translations, although I didn’t know they were translations because in those days the translator often wouldn’t even have his name on the book. I remember a French book, Sans famille, called in English Nobody’s Boy, which my father read to me when I was four or five. It was about a little orphan boy who runs away from the orphanage and goes off with an Italian organ-grinder who has a pet monkey and a lot of stray dogs, all of them with names. Since I came from a large family with all these older brothers and sisters, the dream of my life was to be an orphan, so I thought, Oh, this lucky kid. He’s an orphan, and he gets to wander the roads with all these animals and this nice Italian. I thought it a great happy book, but you were supposed to be dissolved in tears from beginning to end. My father understood perfectly.” —William Weaver, the Art of Translation No. 3

 

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